
Festival Eurorock 07/08/1999 | © Stéphane Burlot
RICHARD
Interview conducted by Christophe Labussière
I had the chance to meet you for the first time in 1991, backstage at the Olympia. It was an interview that left a mark on me. I remember your desire, your need —like an absolute necessity— to clarify a point that had started to weigh heavily on you: the fact that your approach, with its 'militaristic' and 'virile' aspects, was systematically misinterpreted, even though for you it was purely artistic and in no way political. It was the very first time you talked about it, and if I’m not mistaken, you spontaneously wanted to address it at that moment. It was 1991.
Yes, that's correct. For me, it became important to respond to these accusations when they started affecting my private life.
One example: my father-in-law, who had been a member of the resistance, had a hard time understanding what he was reading about the band.
Today, in 2025, is there a question you wish someone had asked you but never did?
None, really. I think we've been asked enough questions for over forty years, and since we've never really enjoyed it...
Regarding 'Black Out', this final tour that ended at Ancienne Belgique in Brussels with three consecutive nights, can you tell me how you felt at the end of that last concert, on Saturday night, when you returned to the stage, standing before your audience, knowing that it was the very last time?
A true feeling of total satisfaction.
What was on your mind at that moment?
I thought about our very first concerts, in small venues, youth centers, sometimes in unlikely places, often in front of very few people. I remembered that, even back then, we stepped on stage telling ourselves that we had to give everything so the audience could understand what we had to offer, that there was an alternative to the boredom of 'other music.' And there, for the last time, I saw that we had probably succeeded.

Festival Eurorock 07/08/1999 | © Stéphane Burlot
I believe you all spent Sunday together, but the next day, Monday, freed from forty years of concerts, venues, stages, and audiences you encountered all over the world, can you tell me the first thing that crossed your mind that morning when you woke up?
Long live freedom! Being part of Front 242 has always been a huge privilege, and I have almost no regrets about everything we accomplished.
But it has also always required a lot of commitment from the band members, sometimes preventing us from doing other things. Today, I will have more time, and time is priceless!

Paris, La Locomotive 28/10/2009 | © Stéphane Burlot
In over forty years, is there a Front 242 concert that left a stronger impression on you than the others? A concert where something particularly special happened?
I'll name three!
- My first concert with Front in March 1983, at Paradiso in Amsterdam. I was 20 years old, and we were playing at a small festival for a local free radio, which meant the venue was quite full. A solid kick for the young 'wild dog' I was, suddenly finding myself there when my first band used to play in front of twenty people.
- Then, a bit later, our first concert in the USA, in Chicago, at Medusas, in September 1984. When we arrived at the venue in the afternoon, we wondered why they were making us play in such a big room. But thanks to the work of our label Wax Trax, by the evening, the place was packed. A rather eclectic audience, who only knew one of our songs, 'Take One,' which was on constant rotation at that club, likely came out of curiosity to see how this kind of music could be performed live.
- And finally, to really conclude, the last one at AB in Brussels. An incredible energy from the audience, something I hadn't often felt before.
If you had to play one Front 242 track for someone who has never heard of the band, which one would you choose?
"Don't Crash".
Are there any projects, musical or otherwise, apart from Front 242, that you now want to spend time on?
I have lots of projects that have nothing to do with music, like learning Italian and exploring Italy and its entire culinary culture.
Going to Raja Ampat in Indonesia to dive, something I’ve barely done in the last five years because of Covid and then touring with Front.
Getting into Urbex, which I used to do when I was younger, before it even had a name.

Paris, La Machine du Moulin Rouge 29/05/2015 | © Stéphane Burlot
How do you look back on the past forty years?
I think we've experienced an incredible, unique story, one with no equal. No kidding, I could never have imagined forty years ago that my life would be made of this, especially at this level!
This band also allowed us to meet extraordinary people all over the world, and that is priceless.
Is there anything that could have gone better?
Our relationship with PIAS.
What is the thing you are most proud of?
Since my children are not 'things,' I would say my integrity.
Is it only Front 242 'live' that is coming to an end, or is it Front 242 in all its forms?
Live, for now. We still have certain 'things' to wrap up.
What are your upcoming projects?
There's already the English translation of the book that needs to be finished. As for the rest, we’ll discuss it next month with the other members, and you’ll be informed later.
If you were one of the three digits in '242' from Front 242, which one would you be?
The 4.

Paris, La Machine du Moulin Rouge 29/05/2015 | © Stéphane Burlot